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People were talking about it for so long. I used to use samplers and hardware stuff, but right now, I just use the laptop. Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. I started hearing them around five years ago. Yeah, that was crazy how that happened. But not most of them. A lot of people have said that. It just messes me up, so I try not to really think about that. I usually use them. I think some of his boys showed him stuff on my mixtape, an EP or something, and he liked it a lot. I liked the stuff he did before a lot. I like the quality of it, the lo-fi stuff, kind of like what I do. That was pretty cool, a complete surprise. But just the overall mood, the vibe of it, is kind of creepy and haunting. For the past probably couple of years, just software and a laptop. From there, that was all I was into.

Good afternoon. You mean just searching with a search engine and stuff? I was sending stuff to everybody and I sent him that beat that Havoc has list of cyprus casinos speak up rapping on.

Did you feel like you could start doing different things production-wise? Actually, he kinda just shouted me out on Twitter. The first stuff he was doing on clams casino bass instrumental beats, just freestyling really ridiculous stuff. Some bad things happen, some good things happen.

So I usually end up making a lot clams casino bass instrumental stuff out of the same sample. People making remakes and stuff. Pretty hardcore gangsta rap. When you throw stuff out online, anything can happen.

He flipped. His name was Nyce. How do you feel about that? Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level?

I thought it was so funny and I kept sending him stuff and it just happened from there. Not that one. I just always liked that beat. I made it for someone else, probably a few months before I sent it to Lil B. Mostly a lot of New York stuff. Right now I just use software. Even before I did, there was some big song that sampled her, so people were doing it before me.

Is clams casino bass instrumental changing as your career progresses? I was just trying to see what else I could do with it.

It seems it was an clams casino bass instrumental time for the way hip-hop beats have exchanged hands and moved around. The stuff I make myself I try to sound like that. I first started listening to him when he was in a group called the Pack. It takes me a long time to finish them.

When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. I had it laying around. Yeah, the instrumental. I just finished school this spring. Is that exciting? I started making beats just for fun about ten years ago when I was a freshman in high school. I just wanna see where I can go with it. So he shouted me out on Twitter. Everybody give it up for Clams Casino. I forget the name of it. If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. He was putting out so much stuff, just out there, really crazy stuff. Yeah, every song I did with Lil B. I can work in physical therapy if I wanted to. Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. Is that frustrating that you make this beat and it just stops being yours? Yet, at least. Definitely, for Wu-Tang, definitely the beats 'cause I had no idea what they were talking about. But right now is probably a good time to pursue the music thing because last week you had some beats on the number-one album in America. What is he doing? I used to. But every time I sit down, I probably start the beginning of three beats, but not finish them. Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. What is this? And you actually ended up producing a track for Havoc and Mobb Deep. Not yet. The main thing that I liked was the vocal sample. I think was when I started going online. I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. I never sent it to him and I was sending him a bunch of stuff before that. Colors, green, stuff like that. My friend sent me another one of her songs. But I got into the process of doing that and I got used to that, following him really close every time he dropped it. Is that liberating as a producer to see someone doing such wild music? They were doing straight, uptempo, really fast stuff, kinda like hyphy. Were there any occasions when you had to chase down credits or chase down money? It was just something I always liked to do. I usually take one source. I started listening to hip-hop when I was about 12, and then I was only listening to hip-hop. Tell us a little about your background and upbringing for those who might not know. I always liked to mess around with a lot of instruments. Growing up, I played drums and stuff. Then I sent it to him and he freaked out. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. Like all freestyles and putting out five or six songs a day. He loved it and here it is. Hopefully, something really good happens like that. Is that weird now that the roles are reversed? This is one of my favorite songs. Yeah, it is a little bit. Right around the time I started making beats this is what I was listening to. After my friend told me about her, I went and looked for some on my own and found some other stuff from her. I get used to it, though, just the whole process. Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff. So I sent it to his manager.